All posts by LA Joaillerie

INTERVIEW WITH LISA & SCOTT CYLINDER

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Oct
27

On the occasion of the exhibition “TRIPTYCH: Life, Love, Death”, the blog of LA Joaillerie introduces the artists participating in the exhibition. –  Why did you decide to study jewellery design? We met while studying at Tyler School of Art in Philadelphia. We were both enrolled in the jewellery/metals program. However, individually we were both making small scale sculptures, stylistically quite different from one another. Lisa also studied Fabric and Scott studied Printmaking. We were both drawn in by the scale, intimacy and the materials associated with jewellery. –  According to you, what is the place of jewellery among the other art forms? Jewellery is such a loose term – it can be High Art or subtle decoration. It carries a fascinating history, both as ornament and as a status symbol, which still exists in varying degrees today. The most intriguing part of jewellery for us is that it is portable and intimate. We are also attracted to things that are well crafted, whether they be jewellery, a manufactured object, or a painting. –  What do you think is the role/function of jewellery? The role of jewellery is as a form of expression and exploration of materials and ideas. It […]

INTERVIEW WITH ASAGI MAEDA

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Oct
21

On the occasion of the exhibition “TRIPTYCH: Life, Love, Death”, the blog of LA Joaillerie introduces the artists participating in the exhibition. – How and why did you decide to become a jeweler ? My grandfather was farming culture pearls in Ago bay, Japan. My mother started designing jewellery with his cultured pearls and sold them. This became her craft. I grew up surrounded by pearls. So it was quite natural for me to start making jewellery. – What makes your work so singular ? How did you come, so to say, « to put life in boxes »? I think that the figures made of thin gold wires are characteristics of my work. The stories and words engraved on my jewellery also make it different. I grew up in Tokyo. It’s a big city. I used to like watching buildings through the windows of the train and imagining what kind of people were living there and what kind of life was going on inside these buildings. A building is a box. It’s inorganic. Yet people are living inside. I think it’s very interesting. Each building hides so many stories. This is how I came up with this idea of […]

INTERVIEW WITH ROBIN KRANITZKY & KIM OVERSTREET

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Oct
06

On the occasion of the exhibition “TRIPTYCH: Life, Love, Death”, the blog of LA Joaillerie introduces the artists participating in the exhibition. – Your work is focused on a single type of jewellery (brooch) often incorporated in free-standing sculptures. Why did you decide to create jewellery (wearable art) anyway when you could have chosen to create art objects ? Does it have something to do with «wearability» ? It started with our history. In 1985 the fashion style was focused on wearing lots of jewelry, especially brooches. At that time we wanted to purchase a kiln for our individual ceramic projects and so began making brooches to raise the funds. The brooches were made of broken jewelry parts, beads, and tiny collected treasures. We created more and more brooches paving the way to our current work. We have pondered the pin clasp several times through the years but have always stuck with the idea of the brooch. There is something appealing about having the option of taking the art object with you, having the body be the ” wall “. Over the years the brooch has become our signature work. – Consequently, would you qualify yourself as artists or art […]

INTERVIEW WITH ZOE ARNOLD

Oct
05

On the occasion of the exhibition “TRIPTYCH: Life, Love, Death”, the blog of LA Joaillerie introduces the artists participating in the exhibition. To open this series of interviews, let’s meet British artist Zoe Arnold. – How/why did you become a jeweller ? How would you qualify yourself: a jeweller designing wearable poetry or a poet making jewelry ? Growing up, I had thought I would become a sculptor, having always preferred contemporary or conceptual sculptures and installations to the flat world of the painting. Even so, I still enjoy art that has some craft skill to it. Something that is well made will always draw my attention and my admiration more than art which is merely made to shock. It is very hard to shock people in the art world today, and the way to stand out is now to have depth and meaning but also some craft to your work. I have always been drawn to detail and smaller scale, so Jewellery was a natural progression. I hesitate to label what I do, since my tastes and way of working changes from year to year… I am sometimes a jeweller, an artist, a poet, a designer. I make what […]